The Illusionist
Tuesday, November 07, 2006
4.5 GOOMBAS
I don't understand why people insist on comparing The Illusionist with The Prestige. Yes, both films are about magicians, and yes, both endings have some sort of 'twist' involved; however as far a basis for comparison, that's about it.
The Illusionist, at its core, is about love. Actually, its about the purest kind of love, childhood love. As a working class young boy, Eisenheim, played by Edward Norton, fell in love with aristocrat, Sophie in early 20th century Vienna. They are of course separated, and Eisenheim goes off to become a great illusionist. Sophie and Eisenheim are reunited as adults, but Sophie is engaged to Prince Leopold. It doesn't help that Leopold's tragic flaw is rationalism, and decides that its his purpose in life to prove to everyone that illusions are child's play. In a little boy attempt to prove whose is bigger, Leopold attempts to unravel Eisenheim's illusions with no luck. This only makes him more aggravated. Imagine what happened when he found out Sophie was leaving him for Eisenheim, the bane of Leopold's existence.
Now this movie may sound like every other romance you've seen, but one of the reasons why this film is so good is because you aren't even aware that you are watching a romance film until you consciously think about placing it in a genre.
But not only is the story wonderful, but the visual 'effects' are gracefully artistic. Out of focus starts to scenes, a rather sexy montage of Sophie and Eisneheims' reacquaintence, and a beautiful tinge of sepia really make the film.
The Illusionist has the perfect balance of suspense and goodies, but I can't forget to mention that 'the twist' makes the movie even better!