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I always wonder what it would be like to see through someone else's eyes. When I'm out driving, I sometimes look out my window at another driver and often ask myself, "What is he thinking about?" "Where is she going?" "Who are they?" The idea of seeing through a different perspective is fascinating, but trespassing on someone else's personal thoughts is only something that happens in books, and sometimes in movies.

Vantage Point takes this concept and films it in a Momento-inspired style. Looping through the same 23 minute period, the viewer is taken into the different perspectives of six characters who witness the same attempted presidential assassination. With each loop, more information on the plot unfolds, and the mystery behind the assault is revealed. The ensemble cast includes screen regulars, Forest Whitaker, Matthew Fox, Dennis Quaid, and Sigourney Weaver.

When the filmmakers pitched this idea to the executive producers, I'm sure it sounded innovative and amazingly creative. However, it yields complete frustration to the viewer. I found myself commenting on how "cool" and "cutting edge" it all seemed during the first 46 minutes - and then, it began to drag on, and on, and on, and on. It was exhausting living through the same 23 minutes six times, and then, only moving, what seemed like half a frame, toward the ending was brutally irritating. It's okay to leave a person in suspense, but not to the point where they'd rather turn the TV off than find out how it ends. This editing gimmick completely backfires.

Then, there are the characters. With the impossible stunt scenarios aside, Howard Lewis (Whitaker) and Tom Barnes' (Quaid) characters were thoroughly lame and unconvincing. An American tourist is not going to run after a terrorist in the middle of a Spanish city after he's just been blown up by a bomb - unless he happened to be Rambo. In that same respect, Barnes, a secret service agent, would not have acted as a vigilante, running through the streets all by his lonesome to find the terrorist regime who bombed the President of the United States. His chase scenes and professional demeanor were so far from reality that I can't even use the "movie magic" plea for him.

The positive things I have to say about this film (which are few) are: 1) it actually has a message, 2) it attempts creativity, and 3) it does produces some interest. However, even with these things said, I still suggest you watch this film from a different vantage point; with your back facing the TV.